Saturday, June 6, 2009

The Ancient and Honorable Art of Killing

It was after an effete life amongst bourgeois liberals that I decided to learn the ancient and honorable art of killing.

I had become tired of my family's winging. They heaped scorn on all the rednecks for being crass and uncultured. They drank wine and discussed matters. Meanwhile, the rednecks were out with their power toys, engaging in visceral thrills. Their political agenda was far advanced. They sent their sons to foreign battles, where they drove around in big trucks blowing up rammed-earth houses and killing people dressed like hippies. In short, the rednecks were having all the fun while the urban haute bourgeois was stuck complaining.

The kind of people surrounding me were willing to eat their veal, but not without talking about suffering and death all the while. They wanted other people to do their dirty work. I wanted to see what it really took to take down a sentient being, to eliminate a large, complex organism, to wipe out one of God’s creatures. I wanted to send a deer to kingdom come.

Really, I only wanted to want to send a deer to kingdom come. Really, I was not comfortable with the idea at all. I wished I were an easy killer, a wooden stump of insensitive redneck, totally oblivious to the pain of others. But I knew the killing exercise would be gristly and unpleasant, slaying a noble animal with a red-hot chunk of ballistic lead.

The muzzle would explode with a shocking concussion, and if I were lucky the deer would then jump a few steps in terror before collapsing with blood gushing from his neck. I’d go down to his expired corpse and, as a man named Mike Guerin wrote on some online hunting forum, I would then perform the following procedure:

with the guts half in and half out I cut the diaphragm away from the deer's chest cavity, I then reach as far up into the deer's chest as possible and grab the deer esophagus. With the other hand I carefully slide the knife into the deer's chest and work my knife up into the chest to cut the esophagus just above my other hand. After it is cut I simply pull the heart and lungs out and with it comes the rest of the intestines.

I'd rip his skin off, hang him by a meat hook and saw off his legs and head. Like a Tutsi clansman in a genocidal fervor, I’d then eat the deer’s heart to capture its spirit fire. This last element, along with the process of quartering and further butchering the animal, composed what I dubbed “the complete visceral killing experience.”

For this purpose I added a Savage model 111 30-06 to my redneck heirloom collection. Savage is a model of long rifle. Its logo is an Indian with a headdress, a delightfully anachronistic, racist mascot.

The Savage was a bolt-action affair with a Simmons scope, black synthetic stock, four-round magazine, and floating barrel to reduce strange harmonics that might send my bullet eschew. Its muzzle velocity was 9000 feet per second, and one of its 150-grain bullets would land with the weight of a loaded semi trailer dropped from forty feet onto a surface half that of a dime face. When I deflowered it at a popular firing range on the summit of Horse mountain, I hit a target a football field off, within a couple inches of where I had aimed. The weapon's accuracy was acute. I knew I was not responsible for it. I can’t even hit a clay pigeon with a semi-automatic shotgun.

Within a few bullets I was tired of shooting the rifle, though, as it was very loud and kicked like a drunken mule. I would not improve my accuracy before hunting, I reasoned. I would manifest the opportunity to behead a deer from point-blank range.

Hirsch and I were staying at a luxurious craftsman style house in the boondocks of Humboldt County while its owners explored Montana. Initially I spent a days pacing around the house with the rifle in my hands, spotting the cat through the scope, climbing onto the roof and assuming various prone poses, covering the entrance to the driveway from the roof, fondling the nicely heavy cartridges and the bolt, listening to Megadeth and ranting about how I was going to blow off some deer’s head. “I’m going to go strait for the head shot,” I said, and Hirsch said, “but what if you miss, and you blow off its jaw or something, and it goes around all deformed for days before it dies?” And I said, “I’m going to blow its head clean off.” I even made a ghilly suit, with the leaves of huckleberry bushes. I imagined myself in an abandoned warehouse, Hillary Clinton rolling by in a convertible…

In order to learn the proper way of gutting a deer, which Hirsch was certain I would not be able to psychologically handle, we watched a series of videos on You Tube titled “Fat Boy Goes Hunting.” These were hosted by a rotund, beer-sucking redneck slouched in the seat of a swamp boat. “Gun berk, huhguhug. Bingk dung berk,” he bellowed, pointing this way and that, his face the color of a ripe tomato.

The only other chore I had to carry out before hunting was to obtain a license. By state law, I had to undergo a short gun safety class to do so. The class was held at a skeet club whose firing range pointed towards the end of the regional airport's runway.

Jeanette Griffin of the California Department of Fish and Game instructed five fat white people in the club's lounge shack. She began by defending the philosophy of hunting.

“These animals are going to die anyway, so instead, we kill and eat them,” she said. “You ever seen a deer with two fawns? Yeah, well, later in the year there’s only one fawn.”

Jeanette brought a small arsenal of firearms. She had a break-barrel shotgun, a semi-automatic shotgun, a bolt-action rifle, a semi-automatic rifle, an autopistol, a revolver, and a muzzle loader. She went over each and explained how they worked in a perfunctory manner. "This here's the barrel," she would say, and then closing the bolt, "is it loaded? What do you think? Is it loaded?"

A few hours later she handed out a multiple choice test with questions like:


Question 51.

An animal that kills other animals for food is called a:
  1. Rooster
  2. Vegetarian
  3. Varmint
  4. Predator
and:

Question 62.

Hunter Education is important because it:
  1. Helps sell camouflage clothing
  2. Keeps old instructors busy
  3. Teaches ethics, safety, and responsibility
  4. Spends government money
Needless to say, the correct answer to the second question is number 4. I had a hunting license and a deer tag in my hand by the end of the day. I went back to the house where we were staying.

Behind the house lay an open field. A top-floor window there afforded a perfect view of the field. This area Hirsch and I considered the “kill zone,” and every day a doe and her two fawns would come prancing through to eat berries and other plants in the kill zone. One time we saw six of them, all fawns and does. There was a garden and orchard of perhaps a quarter-acre there, surrounded by a deer fence.

“All we have to do,” Hirsch said, “is open the gate and let the deer saunter in, and then close the gate on them, and corral them in there, and then shoot them one at a time from the upstairs window. Boom! Chik-chik. Boom! Chik-chik,” he said, miming racking the action of a rifle.

We started baiting the field with apples. The deer came and ate the apples, even fighting over them. The little buck (he had two little stubs on his head and his coat was still spotted) would come and munch on the apple and chase all his sisters away. This sexism offended Hirsch's sense of social justice. “That motherfucker,” he said, “we should blow his head off.”

We moved the apples inside the corral while I set up a turret in the upstairs bedroom. Then Hirsch hid behind a nearby bush and we waited, sucking beers. Sure enough, the little buck and his two sisters came back, entered the garden and began nosing around.

It is illegal to kill a buck who lacks at least one junction in each of his antlers. This law I did not care for, any more than I would care for statutory rape laws if I encountered the opportunity to ravish a nubile young girl. My visceral impulses were too strong. There they were, the animals, and my trigger finger was itching. A drop of drool hung from my lip.

Suddenly, Hirsch emerged, startling the deer, and they ran in a circle idiotically, unaware that their route of escape had just been eliminated. He closed and latched the gate. I smiled. I cocked my weapon.

Our little Soribor was perfect. From my perspective, the slaughter wouldn't even take any heroic marksmanship. I held the high ground. Julius Caesar's podium. The little buck was a miserable Christian in the lion pen. Slowly I lowered the barrel to the window sill, peered through the scope, and lined up the little buck's forehead between the cross hairs. He peered back with a resigned expression. I saw it in his eyes. He knew. Breathe out slowly.

Then a sudden realization seized me.

What about the deer's feelings? He was still young. He had his entire deer life ahead of him. His spirit fire was inherently valuable. He was a unique ball of energy who contributed meaning to the vast and incomprehensible universe. What about the precepts of Zen? They expressly forbid killing, even though there isn't so much as killing. There isn't even “no killing.”
Mu killing. Were not their long spiritual traditions in Christianity against killing as well? It led to Hell. In Judaism too there was a commandment. Just about every ethical framework in the world looked warily at wholesale slaughter like the kind I proposed to undertake. There were metaphysical prohibitions on killing, and humanistic ones. There were legal codes everywhere that proscribed harsh punishment for it. There was a strong sense of guilt swirling around it. The karmas would come back around later. The deer would come home to roost. Five lifetimes from now I'd be lined up and shot and bulldozed into a shallow grave for it, like all the people in Soribor.

Hirsch wondered if I was going to shoot. I looked down through the window over the end of the Savage barrel and told him that I had reconsidered. I was pardoning the deer.

He slouched over to the fence, disappointed, and opened it. Then he went back inside downstairs. The little buck pranced towards freedom. It could have been a scene in a Disney animated feature. The sun broke through a cloud at that moment, and the little buck turned and looked up at it, and I could have sworn that I heard celestial organ music.

I had a robust meal of bacon that evening.

Monday, June 1, 2009

Geriatria

Marci slouched before a table of disheveled place settings-- spoons submerged in pools of vinaigrette, sweet rolls flattened and left half chewed to become stale, flutes mostly empty of flat bubbly. The brass cacophony of a swing band crashed into her ears. Two tables away geriatric bodies gyrated on the dance floor. She wanted to dance. But Marci slouched, remembering that she was sixty. A fierce ache emanated from the lower part of her back.

With two hands on the edge of the table she pushed her delicate frame into standing position. Behind her, people milled around a spread of wine and cheese, talking over the music. Marci tipped the last of her wine down her throat, turned and moved stiffly towards the crowd.

The first man she encountered wore his hair in thin strands over the gleaming dome of his scalp. He was looking around for someone to talk to. When Marci stood in front of him, he looked up at her and the salt-and-pepper bushes above his eyes lifted.

“I'm Marci,” she said.

“I'm Theodore,” he said, drunkenly and eagerly. She didn't hear him. Standing brought the pain to an unbearable pitch.

“Do you have an ibuprofen?” she asked. A man with white hair standing behind Theodore turned when she said it. With palpable interest he inserted himself into the conversation circle. He was wearing a smoke gray suit and a hearing aide.

“An ibuprofen?” Theodore said, a laugh in his voice. “Of course not. Who needs that? You might as well drink a cup of tea. But I've got a Percoset.” He reached into the lapel pocket of his suit coat and produced a cylinder of white pills. Marci saw a twinkle of mischief in his eyes.

“That's a little strong,” she said.

“I've got Vicoden,” said the second man, suddenly turning to place his wine flute on the cheese table, and running his hands across his pockets searchingly.

“Excuse me,” Marci said, touching her chest. “I'm Marci.”

“Hansford Berkenshire,” the man said, “pleased to meet you.” They shook hands. Mr. Berkenshire turned again, pulled a handkerchief from his breast pocket, and blew his nose.

“Thank you both,” Marci said. Mr. Berkenshire looked at her through the tops of his eye sockets while he cleaned the last vestiges of snot from around his nose. “I'm looking for something less potent. Otherwise I'll be absolutely incapacitated.”

“Exactly the point!” Theodore said garrulously, slapping Mr. Berkenshire on the back, who glanced sharply at his rival. “Either you can be crippled from pain, or crippled from drugs.”

Marci smiled and backed away from Theodore and Mr. Berkenshire with as much grace as she could conjure. She bumped into a soft surface. A mountain of a man with a handlebar mustache and three chins turned around and lay his gaze across her. The lower part of his huge face broke into a smile. It was too late.

“Upton,” he said abruptly, thrusting a meaty hand towards Marci. His white, frizzy hair, which projected from around each ear, wiggled when he moved. Gingerly Marci slipped her hand into his and his crushed around hers suffocatingly. They shook.

“And what do you do for yourself, Upton?” she said, blushing. A red-hot dagger slid lengthwise through her kidney, and she failed to suppress a grimace.

“I've been forty years in the civil service,” he boomed in a trombone tenor. “Did I hear you say you were looking for an ibuprofen? What's the matter?”

“My back,” she said. “I'm in terrible pain.”

“Well, I've got a soma,” he said. “It's a muscle relaxant. I'd imagine that it's just what you need. Back pain is really just muscle pain, you know.” He rattled two pills out of an amber tube as he spoke.

“I'd rather not,” Marci said. “I just want an ibuprofen.”

“This man is a doctor!” Mr. Berkenshire exclaimed suddenly, pushing his way back into Marci's attention. He was leading a squat man in a crème sash by the shoulder. The man looked around confusedly through a thick pair of spectacles, bunching up his nose.

“Where's the patient,” he said nasally.

“I'm Marci,” Marci said, “what's your name?”

“This is doctor Bertrand Cordova of the Mayo Institute,” Mr. Berkenshire said. Dr. Cordova looked up at him objectionably. “He's won several awards.”

“I'm quite capable of introducing myself,” the doctor said. He pushed his glasses up his nose and rolled his shoulders back.

“Nice to meet you, Doctor,” Marci said. “My lower back has been killing me for two days.”

Upton pushed his way in again. “I just remembered that I've got these other yellow pills,” he said. “Last time I had one, it knocked me out for hours.”

“Oh,” Marci said, and she felt her knees weaken. She rubbed the spot where the ache was the deepest and most entrenched, like a Nazi bunker above Normandy Beach.

“Are you an imbecile?” Mr. Berkenshire said. “How could you offer the lady a mysterious pill? You'll kill her!”

“He's a rapist!” exclaimed Theodore, who was back, his face the color of a ripe tomato.

“Defamy!” Upton said. “I'll sue you.” He began to roll up his sport-coat sleeves.

“Gentlemen, get a hold of yourselves!” Mr. Berkenshire said, coming to the center of the circle and waving his arms in the air. “The lady is crippled. We must save her.”

The Doctor turned to Upton. “Give me three of those pills,” he said.

“What are they?” Marci asked.

“Pure codeine,” the Doctor said. “These are antiques. You can't get them anywhere anymore. You should consider yourself lucky.”

“Oh?” Marci said.

“Nonsense,” Theodore said, “Percoset is stronger. What are you doing?”

“I'm the doctor!” the Doctor said, shrinking away from Theodore and growling.

Marci sunk to her knees, sighing, and sat on the parquet tiles. “She's falling down!” Theodore exclaimed.

“Alright, gentlemen,” Marci said, “give me everything you've got.”

An frenzied eruption engulfed the bachelors as they each reached to deliver their pills. Theodore pushed towards her with a handful of Percoset. Mr. Berkenshire rattled out five Vicodens. Upton poured a full glass of wine and handed it to her with his entire bottle of soma.

Marci ate the pills as quickly as she could and drank the wine. The bachelors swayed around her, whispering to one another. She tried to get up, and then collapsed.

“Oh, my God!” Theodore said. He grabbed her by the shoulders and pulled her up. She slouched into a white, padded chair.

The music was all mixed together with the talking and shuffling people around her. The pills burnt the pain out of her back like a blowtorch. In its place came a sense of floating. The world turned white. Marci sunk into the chair, into oblivion. She closed her eyes.

“She's better!” Theodore said. “She's better!”